Photo Essays, Spot News and Stock Photography
See the movie. Calexico, California (2002)

INTO THE WILD

See the movie “Into The Wild” (2007), the true story of Christopher McCandless. DPI’s “Into The Wild” was taken in Calexico, California (August 18, 2002). Bus appears to be adjacent to the border wall. License plate is from 1983 so the bus has been out of service for some time.

Workers pour concrete at the border fence between San Diego, California and Tijuana, Mexico.

BORDER ZONE

DPI is pleased to welcome our newest contributing photojournalist, David Barak. David is based in San Diego, California. Besides his passion for photojournalism he proficient in studio & portrait photography, graphic design, illustration, news reporting and editing and film & video production and editing. His website is: www.davidbarak.com. His first contribution to DPI is “Border Wall Construction“; Border Field State Park, California (June 21, 2019) from his “Border Zone” essay.

A farmer uses a four horse team to pull a four row weeder. c.1918

HORSEPOWER

If this blog would have been entitled “Texture” would it have received more views? But this is all about including texture in your photos. Me, I love it. Can’t give me too much texture in a photo. It gives a clearer sense of reality. Provides almost three dimensional quality to a photo. In “Horsepower“; U. S. c.1918 the low angle allows us to be close to the earth that has just been turned over. At a higher angle all of this texture would have been lost. So whether the photo contains weathered wood slats of a building, a brick wall or a cobblestone street this is all to the good. My advice is to incorporate texture into your photos wherever possible. I think you will realize its benefit in your work.

California desert (1980).

“I AIN’T GOT TIME TO BLEED”

Our condolences go out to the families of the victims of all the mass murder incidents. Now it’s El Paso and Dayton. When will it end? Will it ever end? As a veteran and resident of New York as well as a member of the American Legion and a lifetime member of Veterans of Foreign Wars I cannot justify a need for automatic weapons in the hands of civilians. Military style weapons in the hands of civilians. No veteran that I have spoken with disagrees with me on this point. As a retired Social Studies teacher though I would argue that the gun culture in the United States is just part of who we are and predates our republic. To think that we can completely eliminate hand guns and long guns is naive. Background checks and the elimination of automatic weapons would be a good starting point. I think that a constitutional amendment would meet the same fate as Prohibition in the end. We find ourselves in uncharted territory at this moment in time. Speaking as a teacher, the need for toleration among all people is paramount. Education is the key.

As the lead photo we present “I Ain’T Got Time To Bleed“; California (January 15, 1980). The quote of course is from the film “Predator” (1987).  Boys with toys.

Chichicastenango (July 1936)

LOS GUATEMALTECOS (THE GUATEMALANS)

And these are the people that we’re supposed to be afraid of, the “invaders”? Are you kidding me? You can’t be serious. The United States was built by immigrants, refugees and those who came here unwilling in chains. Historically, the first generation has more difficulty in assimilating than their children and their children’s children. Eventually there is no longer any collecitve memory of the ancestral homeland. New arrivals, by whatever means they come here, need “stuff” as they arrive basically with their clothes on their backs. An economic argument against the newcomers fails as they will need jobs, housing, food, clothing, cars, cell phones, toothpaste, etc. By any measure this is win-win for retailers. They will learn the language and become citizens. They will serve in the military. And they will also vote. Our history shows that all newcomers face discrimination at first. Are we to turn away Central American refugees, and that is exactly what they are, as Jews were turned away from entering the U.S. during Hitler’s Germany? What kind of people are we? We allow children to be separated from their parents in refugee camps? No country operates refugee camps in that way be it Turkey, Syria, Sudan, Somalia, Ethiopia or anywhere else. The only example that comes to mind where this was done was in Nazi Germany. Incremental attacks on various segments of the population, particularly Jews, was the policy of Nazi Germany. The Nuremberg Laws institutionalized the persecution of Jews which became legal under German law. May I suggest that you read your history books of events of the 20th century in particular and make the appropriate analogy to our current situation.

Our photo in this blog is “Los Guatemaltecos (The Guatemalans)“; Chichicastenango, Guatemala (July 1936).

Railroad Crossing c.1949

COMPOSITION: THE DIAGONAL LINE

In composition theory the use of diagonal lines is imperative. A diagonal line in a photograph creates interest. It creates a certain tension. It draws the viewer’s interest into the image as we try to see what is just beyond our sight. In “Railroad Crossing” c.1949 a normal scene becomes transformed into a far more interesting depiction of a track crew at work with the use of diagonal lines whether intentional or not on the part of the photographer. Sometimes diagonal lines are obvious, but more often than you might suppose it is the unconscious, invisible diagonal that connects objects in a photo that is more important. Such might be the gaze created by a parent looking at his/her child and the child’s gaze back to the parent. Our brains try to make sense of it all and in so doing a more memorable image is created. In “Railroad Crossing” the eye is drawn to a vanishing point as the telephone poles diminish in relative perspective as does the road turning to the right far in the distance. How many diagonal lines can you find in “Railroad Crossing”? I suspect many more than you might imagine at first glance.

Immigrants: The New Americans

IMMIGRANTS: THE NEW AMERICANS

With respect to the conversation regarding immigration at our southern border we present “Immigrants: The New Americans“, c.1915. Taken somewhere on the Atlantic Ocean let us not forget that many of our ancestors who came here were escaping from discrimination and worse over a century ago. Also, let us not forget the contributions they made to our country in helping it to become what we all enjoy today. For many their next stop would be Ellis Island. At the height of the wave of European immigration more than 5,000 people were processed daily at Ellis Island.