Photo Essays, Spot News and Stock Photography

Archive for ‘August, 2019’

BABYLON SUPER STORM – AUGUST 22, 2019

Those who lived through it had never seen anything like it on Long Island. I have been living here for over 46 years and survived several serious hurricanes witnessing destruction and loss of electric power for days. Nothing compared to the fright which this storm brought. It came in the night between nine and ten P. M. The house shook. All of the windows began to rattle and there was heavy rain, lightning and thunder and the wind. Everyone that I have interviewed swore we were hit by a tornado despite the weather reports of something called “straight line winds”. A super cell that descends quickly from the upper atmosphere seemingly out of nowhere. The hardest hit areas were in West and North Babylon. Crews from out of state are here restoring electricity and helping with the clean up. Like a tornado the damage was selective. Some patio chairs were overturned at my home while a neighbor had an enormous tree nearly crush his house. Cars that were unfortunate to be parked under some trees were totaled and in some cases caught fire.

See the movie. Calexico, California (2002)

INTO THE WILD

See the movie “Into The Wild” (2007), the true story of Christopher McCandless. DPI’s “Into The Wild” was taken in Calexico, California (August 18, 2002). Bus appears to be adjacent to the border wall. License plate is from 1983 so the bus has been out of service for some time.

Workers pour concrete at the border fence between San Diego, California and Tijuana, Mexico.

BORDER ZONE

DPI is pleased to welcome our newest contributing photojournalist, David Barak. David is based in San Diego, California. Besides his passion for photojournalism he proficient in studio & portrait photography, graphic design, illustration, news reporting and editing and film & video production and editing. His website is: www.davidbarak.com. His first contribution to DPI is “Border Wall Construction“; Border Field State Park, California (June 21, 2019) from his “Border Zone” essay.

A farmer uses a four horse team to pull a four row weeder. c.1918

HORSEPOWER

If this blog would have been entitled “Texture” would it have received more views? But this is all about including texture in your photos. Me, I love it. Can’t give me too much texture in a photo. It gives a clearer sense of reality. Provides almost three dimensional quality to a photo. In “Horsepower“; U. S. c.1918 the low angle allows us to be close to the earth that has just been turned over. At a higher angle all of this texture would have been lost. So whether the photo contains weathered wood slats of a building, a brick wall or a cobblestone street this is all to the good. My advice is to incorporate texture into your photos wherever possible. I think you will realize its benefit in your work.

California desert (1980).

“I AIN’T GOT TIME TO BLEED”

Our condolences go out to the families of the victims of all the mass murder incidents. Now it’s El Paso and Dayton. When will it end? Will it ever end? As a veteran and resident of New York as well as a member of the American Legion and a lifetime member of Veterans of Foreign Wars I cannot justify a need for automatic weapons in the hands of civilians. Military style weapons in the hands of civilians. No veteran that I have spoken with disagrees with me on this point. As a retired Social Studies teacher though I would argue that the gun culture in the United States is just part of who we are and predates our republic. To think that we can completely eliminate hand guns and long guns is naive. Background checks and the elimination of automatic weapons would be a good starting point. I think that a constitutional amendment would meet the same fate as Prohibition in the end. We find ourselves in uncharted territory at this moment in time. Speaking as a teacher, the need for toleration among all people is paramount. Education is the key.

As the lead photo we present “I Ain’T Got Time To Bleed“; California (January 15, 1980). The quote of course is from the film “Predator” (1987).  Boys with toys.