Photo Essays, Spot News and Stock Photography

Posts by Mike Lander

Alabama, c.1951

AN HOMAGE TO JACOB RIIS

Jacob Riis is considered to be one of the founders of social documentary photography. His work “How The Other Half Lives” (1890) documented living conditions in the tenements of Manhattan. He along with Lewis Hine have set a standard that is hard to duplicate. Riis’ photograph “Peddler Who Slept in the Cellar of 11 Ludlow Street” (1892) is shown below. It is one of the most famous images taken by Riis. We believe that our photo “Woman Asleep on the Floor“; Alabama c.1951 closely represents Riis’ style. We hope that he would approve.

"Peddler Who Slept in the Cellar of 11 Ludlow Street" (1892) Jacob Riis

TEXAS, 1929: “SO WHAT DON’T YA WANT?”

The quotation is from the movie “Hell or High Water” (2016). I believe any attempt by me to explain its significance would be futile. I strongly recommend that you see this movie. See Texas Settlers.

"Sandbags", c.1940

HURRICANE FLORENCE

Pray for the victims of Hurricane Florence. We are, all of us, in this together. Today, residents in the Carolinas are suffering, but tomorrow disaster could befall anyone. Do whatever you can to help. Staying silent is not acceptable. The lead photo is not from Hurricane Florence of course, but it does demonstrate the vulnerability of living near flowing water. That includes just about all of us. We call this photo “Sandbags“; U. S. c.1940. As the river is rising will the sandbags hold?

Holbrook, N. Y.  (August 23, 2018).

DESPERATE TIMES

Am I my brother’s keeper? You can turn away if you choose, but to become homeless with all that comes with it is only a paycheck away for many. Unfortunately.  Desperate times require desperate measures. The lead photo we call “Feed the Children“; Holbrook, N. Y. (August 23, 2018). This is not about feeding children in a developing country. This is reality on Long Island.

Seen below is a cry for help from a person we choose to leave anonymous, “Rough Times“; Deer Park, N. Y. (September 6, 2018). We could have easily put a face on this situation, but I believe that sometimes an image can be even more powerful without including an individual. Judgment on the individual would be open for discussion. Without a face, the image represents all homeless people and so the magnitude of the problem is multiplied exponentially.

Deer Park, N. Y. (September 6, 2018).

Deer Park, N. Y. (September 6, 2018).

Farmer Walks Away

SHOOT THE BACK

Breaking the rules can be fun. Sometimes what is left unsaid can make more of a statement than what would otherwise be obvious. Take the case of the lead photo, “Farmer Walks Away“; U. S. c.1933 (sepia added). We can only wonder what is going through this farmer’s mind as he walks through his barren field. Imagine the effect the image would have had he been facing the camera. Depending on his expression the difference might be subtle or create a completely alternate setting.

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"Roughnecks"; Texas c.1919

ROUGHNECKS

Inspiration for this image has been the work of the great Brazilian photojournalist Sebastião Salgado. We hope that he would approve. These oil men, (“Roughnecks“; Texas c.1919), are covered in oil as the well proves to be a gusher. Note the oil spray coming off the drill

Pont Alexander III

PONT ALEXANDER III

A scene from a spy thriller or just a gentleman smoking his pipe overlooking the Seine? Imagine the effect of this photo if the pipe was absent. Such a small section of the photo, if missing, would have such a large effect on the overall mood. Perhaps this man was thinking about the future of France as Hitler was consolidating his power in Germany? This photo comes to us from a contributor in Bulgaria.

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