Photo Essays, Spot News and Stock Photography

Posts by Mike Lander

The Soup Kitchen

THE SOUP KITCHEN

A rare image deserves special recognition. “The Soup Kitchen”; U. S. c.1931. Possibly run by the Capuchin Services Center in Detroit. Note the cross on the sign, and note the box of Campbell’s soup carried by one of the men.

Actually the warden and guards at Thomaston State Prison in Maine (1940).

SHAWSHANK REDUX

Another case of art imitating life. When we first saw this image the significance for us at DPI was instantaneous. One of the most acclaimed films is “The Shawshank Redemption” (1994) starring Tim Robbins as Andy Dufresne and Morgan Freeman as “Red”.  Andy was sent to this fictional Shawshank prison in Maine in 1947. The photo in this blog was also taken in Maine at the Thomaston State Prison in 1940. The image shows the warden and several guards. The warden seems to even bear an uncanny resemblance to warden Norton in the film albeit a bit taller. It does make you wonder.

Note the “Home, Sweet, Home” sign. “His judgment cometh and that right soon”. An image almost too good to be true.

THE TRIPLE BYPASS

No, this blog is not about some new freeway in Los Angeles. For those of you who have been wondering what has been going on at DPI here is the explanation. A life-changing event. Mine.

During the last 10 days of September and early October I had been experiencing bloating in my stomach and heart palpitations almost continuously. Finally,  I made the connection and drove myself at 3 A. M. on the morning of October 3 to the Good Samaritan Hospital Medical Center in West Islip, N. Y. My journey led me from Admissions to Triage, to the Emergency Room, then for a CT scan, thence to the Cath Lab and eventually to the Operating Room during the afternoon of October 4. It had been determined that I needed a triple bypass operation. The surgeon told me before the operation that there was about a 1% chance that I would not survive. I told him that I believed there was a 100% chance that I would not survive very long without the surgery. At first he said that it would only be a double bypass as he was not sure if he could get to the other artery. I told him that as long as he was in there to do all three as I certainly did not want to go back in again.

Following the operation I was unconscious for two days with tubes coming out of me from just about everywhere. When I awoke I was so weak that I could not even place the straw from the cup of water at my bedside to my mouth without great difficulty. I think that I was more dead than alive. To say that the doctors and nurses at Good Samaritan saved my life would be a gross understatement. I could not have received better care than if I were the President of the United States. I left the hospital on October 10 and have been recovering at home with the love and help of my family. Recovery is slow but steady. To try and describe the event is somewhat challenging. Imagine getting hit in the chest with a baseball bat and getting spiked in the leg at the same time. The operation involves removing some veins from the leg and grafting them onto heart arteries. Sort of like Tommy John surgery but a lot more delicate and serious. Fortunately for me I had the best surgeon available to work on me just by chance.

It’s a whole new world. Believe me. Medications that I never had to take before with their side effects. Weight loss of about 17 pounds and counting. That is actually good news as I had difficulty over the years in trying to lose weight. I would not suggest that anyone go through this procedure just to lose weight, but it does work. I feel an obligation to pass along my experience. This is something that you never, ever, want to go through. Anyone who would return to a lifestyle inconsistent with maintaining a healthy heart following a bypass operation would be a fool in my opinion. After all there are more arteries connected to the heart so it’s conceivable that a second operation might be necessary. You need to think very carefully about how you live your life following open heart surgery.

Recovery is measured in weeks in the beginning and then in months with full recovery projected for about a year’s time. I was well enough to vote on Election Day. I told my family that I intended to vote even if I had to be brought in on a stretcher. It never got to that point. From my knowledge of the recovery process I would say that I am on track or slightly ahead of schedule. I think that by next week I will be driving once again.

The good news for followers of DPI is that while it has been difficult to make new postings until now, we have been able to continue to acquire some of the best photojournalism and documentary images ever presented at DPI. I hope that in some way these new images will compensate for our silence during the last six weeks.

Alabama, c.1951

AN HOMAGE TO JACOB RIIS

Jacob Riis is considered to be one of the founders of social documentary photography. His work “How The Other Half Lives” (1890) documented living conditions in the tenements of Manhattan. He along with Lewis Hine have set a standard that is hard to duplicate. Riis’ photograph “Peddler Who Slept in the Cellar of 11 Ludlow Street” (1892) is shown below. It is one of the most famous images taken by Riis. We believe that our photo “Woman Asleep on the Floor“; Alabama c.1951 closely represents Riis’ style. We hope that he would approve.

"Peddler Who Slept in the Cellar of 11 Ludlow Street" (1892) Jacob Riis

TEXAS, 1929: “SO WHAT DON’T YA WANT?”

The quotation is from the movie “Hell or High Water” (2016). I believe any attempt by me to explain its significance would be futile. I strongly recommend that you see this movie. See Texas Settlers.

"Sandbags", c.1940

HURRICANE FLORENCE

Pray for the victims of Hurricane Florence. We are, all of us, in this together. Today, residents in the Carolinas are suffering, but tomorrow disaster could befall anyone. Do whatever you can to help. Staying silent is not acceptable. The lead photo is not from Hurricane Florence of course, but it does demonstrate the vulnerability of living near flowing water. That includes just about all of us. We call this photo “Sandbags“; U. S. c.1940. As the river is rising will the sandbags hold?

Holbrook, N. Y.  (August 23, 2018).

DESPERATE TIMES

Am I my brother’s keeper? You can turn away if you choose, but to become homeless with all that comes with it is only a paycheck away for many. Unfortunately.  Desperate times require desperate measures. The lead photo we call “Feed the Children“; Holbrook, N. Y. (August 23, 2018). This is not about feeding children in a developing country. This is reality on Long Island.

Seen below is a cry for help from a person we choose to leave anonymous, “Rough Times“; Deer Park, N. Y. (September 6, 2018). We could have easily put a face on this situation, but I believe that sometimes an image can be even more powerful without including an individual. Judgment on the individual would be open for discussion. Without a face, the image represents all homeless people and so the magnitude of the problem is multiplied exponentially.

Deer Park, N. Y. (September 6, 2018).

Deer Park, N. Y. (September 6, 2018).

Farmer Walks Away

SHOOT THE BACK

Breaking the rules can be fun. Sometimes what is left unsaid can make more of a statement than what would otherwise be obvious. Take the case of the lead photo, “Farmer Walks Away“; U. S. c.1933 (sepia added). We can only wonder what is going through this farmer’s mind as he walks through his barren field. Imagine the effect the image would have had he been facing the camera. Depending on his expression the difference might be subtle or create a completely alternate setting.

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"Roughnecks"; Texas c.1919

ROUGHNECKS

Inspiration for this image has been the work of the great Brazilian photojournalist Sebastião Salgado. We hope that he would approve. These oil men, (“Roughnecks“; Texas c.1919), are covered in oil as the well proves to be a gusher. Note the oil spray coming off the drill

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