Photo Essays, Spot News and Stock Photography

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Ft. Myers, Florida (Sept. 10, 1960).

HURRICANE DORIAN

Nuking hurricanes? They can’t be serious. Between now and the 2020 election is actually a more dangerous time for the United States than in the past 30 months as the writing is on the wall. As reality sets in the Administration becomes more unhinged with each passing day. Heck, tornadoes are dangerous too so maybe we could also nuke ’em. So what if a tornado happens to be over Oklahoma City or Kansas City at the time.

The photo for this blog “Damaged Trailer Park“, Ft; Myers, Florida (September 10, 1960) was as a result of Hurricane Donna. It is hurricane season once again for those of us who live along the Atlantic seaboard. Stay safe.

Immigrants: The New Americans

IMMIGRANTS: THE NEW AMERICANS

With respect to the conversation regarding immigration at our southern border we present “Immigrants: The New Americans“, c.1915. Taken somewhere on the Atlantic Ocean let us not forget that many of our ancestors who came here were escaping from discrimination and worse over a century ago. Also, let us not forget the contributions they made to our country in helping it to become what we all enjoy today. For many their next stop would be Ellis Island. At the height of the wave of European immigration more than 5,000 people were processed daily at Ellis Island.

Migrant Girl c.1936

MIGRANT GIRL

With all eyes focused on the current humanitarian crisis on our southern border let us not forget that U. S. citizens were once also migrants living in squalor in relocation camps during the Great Depression. The power of the still photograph is clearly evident and on display with the recent, tragic photo of the migrant Oscar Alberto Martinez Ramirez and his daughter Valeria who drowned in the Rio Grande at Matamoros while seeking asylum in the United States. I think that it is fair to say that that image will clearly be in the running for the next Pulitizer Prize.

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Turn of the Century

TURN OF THE CENTURY

If you say that this photo is far from technically perfect I would have to agree. It feels good to break the rules once in a while. Remember that this is photojournalism not studio photography. A good deal of photojournalism has its roots in conflict photography. War photography. Photos are taken under extreme conditions. In photojournalism the message is what is important not necessarily the technical expertise of the photographer.

Which brings us to this photo we call “Turn of the Century“. After much research we assess that this photo was taken in lower Manhattan c. 1914. Lower west side to be more precise. Somewhere between Houston and West 23 Street and possibly Christopher Street. The hat shops in that area are prolific. Also notice the battle scars on the boy from a recent fight as well as the Adrien Brody lookalike that he is standing with. We do not need perfection in this photo to understand the circumstances and the setting. Sometimes less is actually better as the mind fills in the scene what the eyes cannot see.

The weary, haunting stare of a Depression era shopkeeper.

CELLULOID HEROES

Who will remember us after we are gone? In part, perhaps folks will remember DPI by the images we have left behind.

 

“…I wish my life was a non-stop movie show

A fantasy world of celluloid villains and heroes

Because celluloid heroes never feel any pain

And celluloid heroes never really die…”    –   The Kinks (1972)

 

Spirit Airplane

PLANES, TRAINS and AUTOMOBILES

Forgive us for using the film title, but it just seemed appropriate. The lead photo is a Spirit airplane one of several produced based on the Spirit of St. Louis, “Spirit Airplane“; New York State c.1929. How far airlines have come. Below are two photos; “Mexican Railroad Station“, Mexico c.1935 and “The 1929 Reo“; U. S. (1935). A fine automobile to drive during the Great Depression. The Mexican Railroad Station could never be confused with rush hour on the L.I.R.R.

 

Mexican Railroad Station

 

 

A 1929 Reo parked with its driver.

A 1929 Reo parked with its driver.

The Milk Delivery Truck

THE MILK DELIVERY TRUCK

An image worthy of those taken by the Farm Security Administration photographers during the Great Depression. We think that this is one of those special images. There is a lot to digest in this photo. The milk cans in the truck, the visible gas pump, Davis grocery store with the Coca Cola sign, the man sitting in the chair in the shade and the pinball machine next to him. The truck’s grill sets the time frame. One of those great images from the 1930s, “The Milk Delivery Truck“, Austin, Texas (May 5, 1934).

Unloading paper money.

AMERICAN NATIONAL BANK

We at DPI believe that this is a very special image and worthy of further examination in a blog. This was the scene in front of the “American National Bank“; Atlanta, Georgia c.1916. American was soon to go out of business, but we see the unloading of paper money in these coils of in front of the bank. Workers and security personnel. Direct deposit? If I were a banker I would want to display an image such as this in my office.

GANDY DANCERS

If you are not familiar with the term Gandy Dancer you should be. The term is not used strictly for section crews in the South, but it covers other areas of the United States for workers of many nationalities over many decades. The songs and cadence used have their origin from Southern black workers laying track. What is also similar is the cadence used in the military during training as anyone who has ever served in the military will remember.