Two iconic images from the past. The lead photo is “Manhattan Bridge“, c.1919. You can see the Municipal Building through the cables and a trolley entering the scene at the left. Below is “Penn Station“. c.1949.
Truly dread in its day. Obsolete nowadays as are older ships including aircraft carriers sold for pennies on the dollar for scrap. Makes you want to cry, but if not properly equipped with countermeasures they are little more than sitting ducks for new missile technologies.
I enlisted in the U. S. Army in 1968. Four days after taking my last final exam at City College (CCNY) I began my military service on January 29, 1968, one day before the beginning of the Tet Offensive in South Vietnam. How’s that for timing? During training you had some sense of the war, but it was still far away. When orders came down I was given a choice of assignments in either Korea or Greenland. Greenland would have been the safer and smarter choice, but I guess that I was not that smart.
Nuking hurricanes? They can’t be serious. Between now and the 2020 election is actually a more dangerous time for the United States than in the past 30 months as the writing is on the wall. As reality sets in the Administration becomes more unhinged with each passing day. Heck, tornadoes are dangerous too so maybe we could also nuke ’em. So what if a tornado happens to be over Oklahoma City or Kansas City at the time.
The photo for this blog “Damaged Trailer Park“, Ft; Myers, Florida (September 10, 1960) was as a result of Hurricane Donna. It is hurricane season once again for those of us who live along the Atlantic seaboard. Stay safe.
Here’s something that DPI does not present too often. To start off your work week, “Last of the Buffalo Hunters“, c.1881. It is not too often that we showcase a 140 year old photo, but there are always exceptions. They were actually bison, of course, but the name “buffalo hunters” just stuck.
With respect to the conversation regarding immigration at our southern border we present “Immigrants: The New Americans“, c.1915. Taken somewhere on the Atlantic Ocean let us not forget that many of our ancestors who came here were escaping from discrimination and worse over a century ago. Also, let us not forget the contributions they made to our country in helping it to become what we all enjoy today. For many their next stop would be Ellis Island. At the height of the wave of European immigration more than 5,000 people were processed daily at Ellis Island.
With all eyes focused on the current humanitarian crisis on our southern border let us not forget that U. S. citizens were once also migrants living in squalor in relocation camps during the Great Depression. The power of the still photograph is clearly evident and on display with the recent, tragic photo of the migrant Oscar Alberto Martinez Ramirez and his daughter Valeria who drowned in the Rio Grande at Matamoros while seeking asylum in the United States. I think that it is fair to say that that image will clearly be in the running for the next Pulitizer Prize.
If you say that this photo is far from technically perfect I would have to agree. It feels good to break the rules once in a while. Remember that this is photojournalism not studio photography. A good deal of photojournalism has its roots in conflict photography. War photography. Photos are taken under extreme conditions. In photojournalism the message is what is important not necessarily the technical expertise of the photographer.
Which brings us to this photo we call “Turn of the Century“. After much research we assess that this photo was taken in lower Manhattan c. 1914. Lower west side to be more precise. Somewhere between Houston and West 23 Street and possibly Christopher Street. The hat shops in that area are prolific. Also notice the battle scars on the boy from a recent fight as well as the Adrien Brody lookalike that he is standing with. We do not need perfection in this photo to understand the circumstances and the setting. Sometimes less is actually better as the mind fills in the scene what the eyes cannot see.
Who will remember us after we are gone? In part, perhaps folks will remember DPI by the images we have left behind.
“…I wish my life was a non-stop movie show
A fantasy world of celluloid villains and heroes
Because celluloid heroes never feel any pain
And celluloid heroes never really die…” – The Kinks (1972)
Forgive us for using the film title, but it just seemed appropriate. The lead photo is a Spirit airplane one of several produced based on the Spirit of St. Louis, “Spirit Airplane“; New York State c.1929. How far airlines have come. Below are two photos; “Mexican Railroad Station“, Mexico c.1935 and “The 1929 Reo“; U. S. (1935). A fine automobile to drive during the Great Depression. The Mexican Railroad Station could never be confused with rush hour on the L.I.R.R.