An iconic image taken in Hong Kong Harbor approximately 70 years ago. Better late than never for DPI. Many more images of China and Hong Kong can be found in our Dispatch on Assignment collection.
A “no-go” zone is defined as an area within a city where law enforcement authorities fear to tread creating an enclave which differs from the general society as a whole. This might include an enclave in which crime cannot be controlled. In the current conversation we a referring to sections of European cities which house large immigrant populations, predominantly Muslim, who have failed to assimilate into the host country’s society. This is not all that unusual as immigrant populations tend to isolate themselves in the first generation only to assimilate more easily in future generations.
The proposed border wall along the U.S.-Mexico border has been envisioned as being 30 feet high, impossible for one individual to scale without aid, 6 feet in depth under ground, impenetrable for up to one hour by attempts to brake through and aesthetically beautiful on the U. S. side. I refer you to some statistics on the Great Wall of China presented in this blog.
Immigration reform? Let’s get serious. As long as conditions of poverty exist as illustrated in these photos taken in Honduras and Haiti c.1939 what would you do if you had to live under these conditions? The worldwide refugee problem is another issue involving civil wars and forcing people to flee by land and sea to safety.
While the world is focused on the plight of Syrian refugees and others from African countries seeking asylum in Europe, the situation of Rohingya refugees fleeing Myanmar for safety in Malaysia goes relatively unreported. DPI is fortunate to have a photo essay, School of Rohingya in Malaysia, contributed by photojournalist Samsul Said who is based in Kuala Lumpur.
Most of us are fortunate not to live anywhere along the “Ring of Fire”. This refers to the earthquake zone surrounding the Pacific Ocean. Perhaps thoughts of earthquake victims turn to Japan, Indonesia or Chile, but Ecuador has also suffered greatly.
It must be remembered that many Japanese cities including Tokyo, Osaka and Kobe were destroyed by fire bombing. Incendiaries. The lead photo, “The Bombing of Japanese Cities: Black Rain”; Japan (1945), shows a destroyed Japanese city. “I was 10 when the B-29 came. My family lived underground for three days. When we came up the city was gone. Then the heat brought rain. Black rain. You made the rain black, and shoved your values down our throats.” Sugai – from the film “Black Rain”.
One of the most respected photographers of the Farm Security Administration during the 1930s was Walker Evans. Evans’ subjects were varied, but he is perhaps best well known for his images of advertising signs. His work stands out from some of his contemporaries such as Arthur Rothstein, Dorothea Lange, Russell Lee, John Vachon, Marion Post Wolcott and others because of the uniqueness of his style.
Archival, museum quality prints of our images are now available from DPI using Giclée printing technology. Prints are made using the Canon iPF 9400, 12 ink Lucia EX pigment set. Your choice of substrates include:
Textured Fine Art Paper (Arches or William Turner Hahnehmuhle 325g)
Vibrance Art Paper
Professional Photo Luster Photo Paper (Epson or Kodak)
True Metallic Photo Paper
Enhanced Matted 260g Archival Smooth Art Paper
Pura 325g Smooth Art Paper OBA Free
Pigment inks offer up to 120 years light-fastness and UV-resistance under museum archival conditions. Canvas prints are coated with a layer of anti-fading UV protective clear satin glaze.
Available sizes range from 5 x 7 to 40 x 60.
Contact DPI for pricing at : firstname.lastname@example.org
The contribution of French photo agencies to the field of photojournalism and documentary photography should not be underestimated. One might say that the father of French photojournalism was Henri Cartier-Bresson. His argument that a photo should be taken at the “decisive moment” still holds true. But there have also been major contributions made by Magnum, Gamma-Liason and Sipa photo agencies to illustrate this point that the French have been pioneers in photojournalism. These agencies have set the standard for others to follow including DPI.