Can’t find your car, sir? Apparently not a new phenomenon as seen in this 1930s photo, especially since the majority of cars were of only one paint color, your basic black. I feel your pain.
Located within DPI’s Documentary collection is the Americana gallery on page one. This gallery contains two extensive Event collections which we want to bring to your attention. On page two in this gallery in the “1930s” event which includes many images taken during the Great Depression. There are 66 pages within this event providing hundreds of images. Likewise in this gallery located on page five is our “People” event. Here there are 99 pages displaying hundreds of images. Both events should provide numerous selections for your needs.
Symbolic writing has been used to criticize authorities without identifying the author. This was particularly evident during the times preceding the French Revolution by such writers as Voltaire and Rousseau. To put their true name on such documents would have meant certain death. We use photos, symbolically, to advance messages not immediately apparent.
This essay is more about technique than social commentary. In a previous newsletter we discussed sepia toning giving the same examples as in this essay. For those who have not yet subscribed to our newsletter we present the significance of this process on our blog page.
“Migrant Mother” (1936) by Dorothea Lange is probably the most well recognized photo taken by the Farm Security Administration photographers that symbolizes the Great Depression. Several hundred thousand images both in black and white and in color were shot during this period.
It could have been a scene taken from John Steinbeck’s novel The Grapes of Wrath, but for these folks and many more like them the experience was all too real. Migrants, headed for