We are committed to presenting images with the least amount of photo editing possible, using techniques only to remove blemishes and improve contrast. Some of our images are 100 years old and more, so they do need a certain amount of restoring. If you have been following DPI for years you may have noticed that we avoid even cropping unless absolute necessary such as a pole seemingly coming out of nowhere. This blog shows what is possible with photo manipulation by those not committed to pure photojournalism and documentary photography. And if we are able to present these augmented reality photos using our limited talents we can only imagine what more sophisticated photo editors are able to accomplish.
The lead photo in this blog is “Mud On The Ground“; U. S. c.1920. The original was developed using sepia printing. After 100 years it had faded somewhat so we simply refreshed the sepia with a new layer, still presenting it as close as possible to the original. In an altered version we call version #2 we replaced the bare sky with a different sky. This is a sky, in fact, that I shot several months ago in Riverhead, Long Island. It seemed to fit the situation. So we now have a blend of a color sky shot 100 years after the original sepia image. As an artistic representation I think that it has possibilities. The image of these three Dodge cars on a muddy farm road evoke scenes of the Great Depression and the migration from the Dust Bowl although that was ten years in the future from when this photo was taken. Ten years down the road as it were.
Version #3 involved converting version #2 into black and white. I think that this version is quite believable and fitting with the time in which the original photo was taken. I think there is a sense of doom represented here by the replaced sky. Bottom line is “seeing is not always believing”.